
- Artist:
- Helena Almeida
- Date:
- 2001
- Technique:
- Black and white photograph
- Dimensions:
- 124 x 202 cm
- Origin:
- Es Baluard Museu d'Art Contemporani de Palma
- Registration number:
- 613
A experiência do lugar captures a fragmented picture – made in black and white, as is customary, and in large dimensions – of the artist, in the foreground, sitting in a classroom; her bare feet rest on the floor covered in pigments. The image is the result of the invitation Helena Almeida, as well as other prominent creators on the Portuguese scene, received to participate in the artistic project of the architecture section of Porto 2001, European capital of culture from 1999 to 2001.
Miguel Von Hafe and Paulo Cunha e Silva, curators of the project entitled “A experiência do lugar” (The experience of the place), suggested that ten artists – including Joana Vasconcelos, Pedro Cabrita Reis and Julião Sarmento – produce a work linked to buildings from the world of science in the city, specifically the university faculties. Almeida centred her proposal on the Faculty of Science building. One of its classrooms is the setting chosen and captured through a series of large-format images in which the presence of those who normally inhabit it, the students and lecturers, is represented by the figure of Almeida.
Thus, in this series Almeida continues with her research into the body located in the space, a space that is not her studio as it normally is: she moves around the empty classroom, she lies on the floor… she captures images of herself as she conducts her particular “symbiosis” with the place, and makes each of the elements that make up the space visible.
S.H.
After studying fine arts in the Portuguese capital, she moved to Paris in 1964, where she became interested in abstraction and photography. Her creative process – simple yet with a strong poetical charge – uses her whole or fragmented body as an object, and eliminates all boundaries between artistic disciplines such as performance, painting and video, with photography as a conjugation of all these expressions.
Her work has been recognised with awards such as Photo España 2003 Prize and the Extremadura Prize of Creation 2008 of the Junta de Extremadura and in 2005 she represented Portugal at the Venice Biennale. Almeida has shown her work at Fundação Calouste Gulbenkian (Lisbon, 1983 and 1987), Fundação Serralves (Oporto, 1995), the Centro Galego de Arte Contemporánea (Santiago de Compostela) and the Museo Extremeño e Iberoamericano de Arte Contemporáneo (Badajoz), both in 2000, the Centre d’Art Santa Mònica (Barcelona, 2005) and Fundación Telefónica (Madrid, 2008), among others.
Her work forms part of international collections such as Colecção Berardo (Lisbon), Tate (London), Hara Museum of Contemporary Art (Tokyo), Contemporary Art Museum of Chicago, Bibliotheque National de France (Paris), Museo Nacional Centro de Arte Reina Sofía (Madrid), Es Baluard Museu d’Art Modern i Contemporani de Palma, Museu d’Art Contemporani de Barcelona and Fundación Helga de Alvear (Cáceres), among others.
E.B.