Publication edited on the occasion of the first solo exhibition by the artist José Fiol (Palma, 1978), a project where two seemingly unrelated events are intertwined: the 1975 Wimbledon final and the cinematic reinterpretation of Vertigo (1958) in the experimental film The Green Fog, directed by Guy Maddin. Fiol uses these events as a starting point to explore how history, cinema and sports can interrelate through the cut-up technique, creating new narratives and meanings. The publication includes texts by the curator, Raquel Victoria, and Miguel Ángel Hernández, and a selection of images of the artworks and views of the exhibition.