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CRISTINA ROS at ‘LA MAÑANA DEL VERANO EN MALLORCA’

THE NEOTOKYO FESTIVAL AT IB3 RÀDIO

THE CONCEPT OF RHIZOME, ONE OF THE ELLEMENTS OF ‘NUDOS Y RIZOMAS’, ACCORDING TO THE ARTIST JUAN USLÉ

PEP LLAMBÍAS DISCUSSES THE ROLE THAT PLAYS THE AUDIENCE, THE CARDINAL SINS AND THE SEVEN VIRTUES AT ‘SEPTEM’

JUAN MANUEL BONET, CURATOR OF ‘THE MURMUR OF THE WORLD’, ANALYZES THIS NEWS SERIES OF ‘VIEWS OF ES BALUARD’S COLLECTION’

LECTURE ‘DEL GUIÓN ESCRITO A LA IMAGEN VISUAL’ BY CARLOS GRANGEL

JOAN CORTÉS IN ‘DOS I DOS SÓN 22’ (ONA MALLORCA)

SOUND REPORT ON ‘ANSELM KIEFER. WORKS FROM THE GROTHE COLLECTION’

SOUND REPORT ON ‘ANSELM KIEFER. WORKS FROM THE GROTHE COLLECTION’

THE JUAN USLÉ’S KNTOS AND RHIZOMES FILL THE ES BALUARD’S HALLS

JOANA VASCONCELOS ANALYZES ‘CONCHITA’, ONE OF THE SCULPTURES OF ES BALUARD’S COLLECTION

JOANA VASCONCELOS PRESENTS HER GARDEN OF EDEN AT THE ES BALUARD’S ALJUB

‘JOANA VASCONCELOS. GARDEN OF EDEN #2’ AS A CRITIC TO ARTIFICIALITY

‘ANIMAR.TE’ LANDS IN WASHINGTON

FERNANDO FRANCÉS AND THE LANDSCAPES FROM THE WORKS BY JUAN USLÉ

JUAN USLÉ ANALYZES THE RHIZOMES CONCEPT, PRESENT AT THE EXHIBITION ‘JUAN USLÉ. NUDOS Y RIZOMAS’

CURATOR JUAN LEDEZMA ANALYZES ‘THE SITES OF THE LATIN AMERICAN ABSTRACTION. ELLA FONTANALS-CISNEROS COLLECTION’

CRISTINA ROS AND CARLOS JOVER ANALYZE THE EXHIBITION ‘IN PRIVATE 2. THE UNAMIABLE OPTION’

LOU REED ANSWERING THE QUESTIONS FROM THE AUDIENCE AFTER ‘RED SHIRLEY’

THE BALEARIC ISLANDS, ACCORDING TO ALBERTO GARCÍA-ALIX

ALBERTO GARCÍA-ALIX. LO MÁS CERCA QUE ESTUVE DEL PARAÍSO

MECAL AIR: NIGHTS OF OPEN AIR THEME SHORTFILMS

‘ANIMAR.TE’ AT WASHINGTON

‘SPERMÖLA SOBRE RODES’ by BASURAMA