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‘ANIMAR.TE’ LANDS IN WASHINGTON

FERNANDO FRANCÉS AND THE LANDSCAPES FROM THE WORKS BY JUAN USLÉ

JUAN USLÉ ANALYZES THE RHIZOMES CONCEPT, PRESENT AT THE EXHIBITION ‘JUAN USLÉ. NUDOS Y RIZOMAS’

CURATOR JUAN LEDEZMA ANALYZES ‘THE SITES OF THE LATIN AMERICAN ABSTRACTION. ELLA FONTANALS-CISNEROS COLLECTION’

CRISTINA ROS AND CARLOS JOVER ANALYZE THE EXHIBITION ‘IN PRIVATE 2. THE UNAMIABLE OPTION’

LOU REED ANSWERING THE QUESTIONS FROM THE AUDIENCE AFTER ‘RED SHIRLEY’

THE BALEARIC ISLANDS, ACCORDING TO ALBERTO GARCÍA-ALIX

ALBERTO GARCÍA-ALIX. LO MÁS CERCA QUE ESTUVE DEL PARAÍSO

MECAL AIR: NIGHTS OF OPEN AIR THEME SHORTFILMS

‘ANIMAR.TE’ AT WASHINGTON

‘SPERMÖLA SOBRE RODES’ by BASURAMA

THE JUAN USLÉ’S KNTOS AND RHIZOMES FILL THE ES BALUARD’S HALLS

ARTFUTURA AT ES BALUARD

‘ANIMAR.TE’ LANDS IN WASHINGTON

THE NEOTOKYO FESTIVAL AGAIN AT ES BALUARD

STUDENTS AND TEACHERS RATE THE SHORTFILS OF ARTFUTURA 2009

PAU WAELDER INTRODUCING THE LECTURE BY EDWARD SHANKEN AT ES BALUARD

EDWARD SHANKEN: ART AND ELECTRONIC MEDIA

THE CATHEDRAL OF PALMA’S ECLYPSE OF SUN FROM ES BALUARD

JOANA VASCONCELOS PRESENTS HER GARDEN OF EDEN AT THE ES BALUARD’S ALJUB

ALBERTO GARCÍA-ALIX. LO MÁS CERCA QUE ESTUVE DEL PARAÍSO

THE ES BALUARD’S FAMILY WORKSHOPS AT ONA MALLORCA

JOAN CORTÉS IN ‘DOS I DOS SÓN 22’ (ONA MALLORCA)

THE NEOTOKYO FESTIVAL 2010 CONCERTS