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FERNANDO FRANCÉS AND THE LANDSCAPES FROM THE WORKS BY JUAN USLÉ

JUAN USLÉ ANALYZES THE RHIZOMES CONCEPT, PRESENT AT THE EXHIBITION ‘JUAN USLÉ. NUDOS Y RIZOMAS’

CURATOR JUAN LEDEZMA ANALYZES ‘THE SITES OF THE LATIN AMERICAN ABSTRACTION. ELLA FONTANALS-CISNEROS COLLECTION’

LOU REED ANSWERING THE QUESTIONS FROM THE AUDIENCE AFTER ‘RED SHIRLEY’

CRISTINA ROS AND CARLOS JOVER ANALYZE THE EXHIBITION ‘IN PRIVATE 2. THE UNAMIABLE OPTION’

CHOREOGRAPHER MERCEDES BORONAT FEATURING ‘TO VIBRATE’ AT ES BALUARD

JOANA VASCONCELOS ANALYZES ‘CONCHITA’, ONE OF THE SCULPTURES OF ES BALUARD’S COLLECTION

ES BALUARD. FIFTH ANNIVERSARY

LLUNES D’ES BALUARD 2010: ‘AFTERPOP FERNÁNDEZ & FERNÁNDEZ’

LLUNES D’ES BALUARD 2010: ‘ÍNSULA TEATRO. ESCENAS DE TERROR 7.10’

JUAN MANUEL BONET, CURATOR OF ‘THE MURMUR OF THE WORLD’, ANALYZES THIS NEWS SERIES OF ‘VIEWS OF ES BALUARD’S COLLECTION’

JOANA VASCONCELOS ANALYZES ‘GARDEN OF EDEN #2’ AS A LIGHTING FLOWERS LABYRINTH

Panel discussion with José Manuel Ballester, Javier Vallhonrat, Toni Catany

Nekane Aramburu, curator of ‘Reproductibilitat 2.2. colección olorVISUAL’

Marina Núñez on «Reproductibilitat 2.3. Phantasmas»

Logbook: Natasha Hall and her crew

Nekane Aramburu and Ángeles Imaña on Reproductibilitat 1.2

IMPLOSIÓ. ES BALUARD’S PERMANENT COLLECTION

IMPLOSIÓ. ES BALUARD’S PERMANENT COLLECTION

THE BASIS OF THE COURSE ‘DESVELOS’ BY EULÀLIA VALLDOSERA

REPRODUCTIBILITAT 1.0

‘WALLPEOPLE. EXPRESS YOURSELF’ IN IB3

PEP BONET’S WORK, ANALYZED BY HIMSELF

JOAN BENNÀSSAR DESCRIBES ‘THE WINE I DRINK TASTES OF THE SEA’