Es Baluard Museu

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    LOU REED ANSWERING THE QUESTIONS FROM THE AUDIENCE AFTER ‘RED SHIRLEY’
    CRISTINA ROS AND CARLOS JOVER ANALYZE THE EXHIBITION ‘IN PRIVATE 2. THE UNAMIABLE OPTION’
    CHOREOGRAPHER MERCEDES BORONAT FEATURING ‘TO VIBRATE’ AT ES BALUARD
    JOANA VASCONCELOS ANALYZES ‘CONCHITA’, ONE OF THE SCULPTURES OF ES BALUARD’S COLLECTION
    ES BALUARD. FIFTH ANNIVERSARY
    LLUNES D’ES BALUARD 2010: ‘AFTERPOP FERNÁNDEZ & FERNÁNDEZ’
    LLUNES D’ES BALUARD 2010: ‘ÍNSULA TEATRO. ESCENAS DE TERROR 7.10’
    JUAN MANUEL BONET, CURATOR OF ‘THE MURMUR OF THE WORLD’, ANALYZES THIS NEWS SERIES OF ‘VIEWS OF ES BALUARD’S COLLECTION’
    JOANA VASCONCELOS ANALYZES ‘GARDEN OF EDEN #2’ AS A LIGHTING FLOWERS LABYRINTH
    Panel discussion with José Manuel Ballester, Javier Vallhonrat, Toni Catany
    Nekane Aramburu, curator of ‘Reproductibilitat 2.2. colección olorVISUAL’
    Marina Núñez on «Reproductibilitat 2.3. Phantasmas»
    Logbook: Natasha Hall and her crew
    Nekane Aramburu and Ángeles Imaña on Reproductibilitat 1.2
    IMPLOSIÓ. ES BALUARD’S PERMANENT COLLECTION
    IMPLOSIÓ. ES BALUARD’S PERMANENT COLLECTION
    THE BASIS OF THE COURSE ‘DESVELOS’ BY EULÀLIA VALLDOSERA
    REPRODUCTIBILITAT 1.0
    ‘WALLPEOPLE. EXPRESS YOURSELF’ IN IB3
    PEP BONET’S WORK, ANALYZED BY HIMSELF
    JOAN BENNÀSSAR DESCRIBES ‘THE WINE I DRINK TASTES OF THE SEA’
    Gerardo Mosquera. The Agony and the Ecstasy Latin American art in the collections of Mallorca; a review based on contemporaneity
    Amina Benbouchta on ‘Piège à loup’ (2014)
    Nekane Aramburu introducing ‘Reproductibilitat 2.0. Col·lecció MACBA’
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