Permanent Collection

- Artists:
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Amador, Amedeo Modigliani, Amparo Sard, Andreu Terrades, André Masson, Antoni Gelabert, Apel·les Fenosa, Carles Congost, Concha Jerez, Darja Bajagić, Dennis Oppenheim, Dominique González-Foerster…
Artists
Amador, Amedeo Modigliani, Amparo Sard, Andreu Terrades, André Masson, Antoni Gelabert, Apel·les Fenosa, Carles Congost, Concha Jerez, Darja Bajagić, Dennis Oppenheim, Dominique González-Foerster, Doris Salcedo, Edouard Swoboda, Eduardo T. Basualdo, Eliseu Meifrèn, Elmyr de Hory, Enric Arbós, Eulàlia Valldosera, Eva Lootz, Fabrizio Plessi, Fernand Léger, Ferran Garcia Sevilla, Francesc Rosselló Miralles, Gabriel Serra, Georges Braque, Gérard Courant, Hans / Georg Namuth / Reisner, Hasan Shariff, Hermen Anglada-Camarasa, Iman Issa, Jean Marie del Moral, Joan Miró, Joaquín Sorolla, Jonathan Meese, Josep Guinovart, José María Sicilia, Juan Muñoz, Kimsooja, Leo Gestel, Los Carpinteros, Marina Abramović, María Blanchard, Miquel Barceló, Miriam Cahn, Mohammed Soueid, Médard Vérburgh, Nan Goldin, Nevin Aladag, Pablo Ruiz Picasso, Rafael Tur Costa, Rafel Joan, Reynaldo Luza, Ricard Anckermann, Rogi André (Rozsa Klein), Santiago Rusiñol, Solano Susana, Susy Gómez, Sybille von Kaskel, Sylvie Fleury, Tamara Arroyo, Teresa Matas, Thea Djordjadze, Tito Cittadini, Tsuguaru Foujita, Uri Aran, Valerie Snobeck, Wifredo Lam, Wolf Vostel, Xisco Bonnín and Yannick Vu - Curatorship:
- Nekane Aramburu
- Downloads:
Crossing borders, fences, making walls permeable. A porous membrane, that of a museum in a fortress. Beyond the white cube, a collection. Our strategic plan, Es Baluard 2018, has a bearing on a model of museum the main mission of which is to answer for the value of the artistic heritage which it keeps in its custody and is bound to transmit to society.
Thus, the institution seeks to transcend the walls of the museum container to become an organic body, a transmitter and receiver of the cultural evolution of our times. The current availability of the permanent collection will be reinforced with the inclusion of, and dialogue on the latest artworks incorporated, in addition to collaborations with artists, collectors and other entities with the common denominator of inside-out.
The Es Baluard cultural complex is caught up in the museological discourse, leading to new interpretations based on significant pieces – acquired by the foundation itself – which allude precisely to the relationship between interior and exterior landscapes, things domestic and the elements, the social being and individual intimacy. A window and a spyhole that enables us to continue researching along the lines opened up and delve further into the analysis of study cases of the multiple narratives of art history.

